Ever since we left March behind and moved on into April, the opening lines of the "General Prologue" to Geoffrey Chaucer's Canterbury Tales have been running through my brain:
Whan that Aprille with his shoures soteThe droghte of Marche hath perced to the rote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour...*
Although we have not had an overabundance of shoures sote this month and March was not so much plagued by droghte as it was by snow and ice lingering from the horrendous February that Maine endured, Spring seems finally to have arrived. Granted, small piles of snow remain in those dark corners that don't get much sun, or lie buried under layers of gravel pushed up by snowplows (like those at the end of my driveway!). Average daily temperatures have yet to get very far out of the 40s but floures are beginning to bloom, adding some much-welcome color to the landscape. Given how much snow we had dumped on us in February it's pretty remarkable how quickly it disappeared. A walk in the woods two weeks ago required wearing snow boots; now light hiking boots are more than sufficient. The downside of this quick flipping of seasons: ticks are already active. I've taken a few off both myself and the cat in the past few days. Sheesh....snow one week, ticks the next. In the immortal words of Celtics announcer Tommy Heinsohn: "Gimme a break!"The best thing about Aprille though, is that it marks the time of year when, once again, as Chaucer tells us, smale fowles maken melodye. In some ways things are not so different today from the way they were in late 14th century England. The annual bird migration is gaining momentum here in southern Maine and the changing of the guard is well underway. As the warblers, sparrows, swallows, plovers, blackbirds, raptors and many other species arrive, we say farewell to the Juncos, Pine Siskins, Snowy Owls, Tree Sparrows, and whatnot who endured the winter with us. I say "endured," but for them, coming to Maine was the equivalent of human snowbirds heading to Florida for the winter.
With the migration, of course, comes nesting activity and the concomitant staking out of territory by singing males. Soon the chorus of smale fowles maken melodye outside our bedroom windows in the early morning hours will serve as a call to drag our sleepy butts out of our beds and go out to see what we can find by way of birdlife. Chaucer tells us that the season of birdsong evoked a different sort of longing in his protagonists:
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge stronds
To fern halwes, kowth in sondry londes.*
But our own April outings are pilgrimages of a sort. They may not take us to Canterbury, or even as far as shires ende, but we all have our fern halwes to which we venture in the hope of reveling in the sights and sounds of birds we have not seen since this time last year. Or, even better, spotting a new species or two that may have eluded us in prior years.Even though I noted in one of my very early posts that I'm not much of a lister, the Spring migration seems to bring out in me the urge to tabulate and quantify my experience more than at any other time. My birding notebooks that are generally maintained in a pretty desultory fashion throughout the rest of the year suddenly become repositories of daily sightings once the migration gets underway. I suppose this is largely in response to the fact that the avian landscape outside the windows of my home and in the countryside around is now filled with new sights and sounds. After watching a relatively stable cast of characters play out their daily lives at my feeders and in the trees near the house, the influx of newcomers to the scene prompts me to note their presence as a means of celebrating their return.
All this notwithstanding, to me the act of logging what I see is perhaps the least important reason to go birding in the Spring. There is just something very special and soul-restoring about being outside this time of year and immersing oneself in the natural world. Three short ventures in recent weeks had the character of pilgrimages, and made me realize yet again how important it is to get out into the real world.
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Two weeks ago I made an evening visit to the Kennebunk Plains, a property owned by the Nature Conservancy and one of the state's birding hot spots. I am fortunate that the area is not far from my home so I am able to visit frequently. It was a fairly cold, windy evening, and still a bit early in the season to expect to see some of the bird species that The Plains are famous for. In fact, it was not a very birdy evening at all. A lone Kestrel, a couple of crows, an Eastern Phoebe or two, and a medium-sized mixed flock of blackbirds were pretty much it. No Meadowlarks, no Vesper Sparrows, no Upland Sandpipers. But simply being out at dusk on a Spring evening and experiencing the almost magical transition from day into night was sheer delight. Finally, as I began the trek back to my vehicle, I caught sight of something I'd been hoping to see: a Gray Ghost--i.e., a male Northern Harrier--tilting from side to side as he glided low over the ground in search of his evening meal. As I stood and watched, marveling at his silent grace, I was rewarded with another unexpected treat--a second Harrier, following not far behind!
Edward Howe Forbush, my favorite bird writer, characterized the Harrier (known primarily as "Marsh Hawk" in Forbush's day) as a "slender, graceful...bird of tireless flight." The seemingly effortless way that Harriers skim close to the ground over open fields, looking for the small mammals that make up most of their diet, is always a joy to watch. I followed the two birds for as long as I could but they soon crossed over Route 99 and I lost them in the rapidly diminishing light.
It really made no difference that I saw so few other birds that night. The sight of the two Harriers was enough. The gray birds in the gray light of dusk was visual poetry.
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Mousam River, May 15, 2013 |
After a few minutes of quiet observation I noted some ripples on the water a little upstream from where I stood. I initially dismissed them as having been caused by the slight breeze that was blowing, but no! A dark brown, rounded head broke the surface of the water, moving in my direction. Then, a moment later, a second head appeared! My first thought was that it was a pair of beavers, but when a slender, almost snake-like body became visible above the surface and I got a glimpse of a tail that was flattened vertically rather than horizontally, I realized that I was seeing something even better--two River Otters! They twined around each other as they cavorted in the middle of the stream, repeatedly disappearing under the surface, then popping back up moments later.
I stood and watched their play for several minutes but finally lost track of them when they got to the far side of the river. Just as with the Harriers the previous night, observing the two wild animals going about their lives, oblivious to my presence, was utterly marvelous. It was an enthralling, almost spiritual experience. As if this were not enough, the scene was enhanced further by the sight of two Great Blue Herons, a pair of Ring-necked Ducks, and a few Mallards that were also on the river. A Pileated Woodpecker cackled in the woods behind me and a small group (if there's only three of something, can it legitimately be called a "flock"?) of Canada Geese announced their presence with authority as they flew overhead to some destination downstream.
The spot from which I watched all this is, indeed, a shrine. My visit to it was as much a pilgrimage as was the journey of Chaucer's characters to Caunterbury, as they sought the hooly blisful martir.
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Pink Lady's-slipper, June 8, 2014 |
Lovely, Paul. And thanks for the reminder!
ReplyDeleteThanks, Naka! Sorry that it's been so long between posts.
ReplyDeleteEnjoyed that, Paul. I miss that part of the country & the seasons there, so thank you for sharing its treasures.
ReplyDeleteVery well put, Paul. As you rightly say, "There is just something very special and soul-restoring about being outside this time of year and immersing oneself in the natural world." I've been doing a good deal of that myself, in this very fine spring we've been having here. Delighted that you got to see your otters. I regularly check the stream here in hopes of once again seeing the otter that I know lives there: I've only seen her once, but our neighbour Fred has seen her several times, with her pup, and has even pinpointed their holt. Somehow it's gratifying enough to know that they are there, even if an actual sighting is so very rare. That feeling reminds me of something I wrote to a friend a while back:
ReplyDelete"As the interweb flickers and dances in the rainstorms here tonight, I've been thinking about music and how the rare glimpses of it in its perfection, or near-perfection, are literally life-transforming (this can occur with other manifestations of life's infinite tapestry, but music is my sort of entry level to bliss). Once you've had that transformative experience, you're forever alert to a hint of its return; sometimes all you see is the flick of a tail disappearing behind a tree in the mist, but you know it was the unicorn! This will sustain you through many donkey rides; it may also drive you mad with frustration that tonight it's only a donkey ride; but if you hold on to the vision of the unicorn, it will never let you down."
A little fanciful in its expression, but basically a true thought, I believe!
Thanks for this, PdG. As I noted elsewhere, and as indicated by the subtitle of this blog, I want to somehow connect the worlds of music and nature here. They are both realms about which I care deeply, that move me deeply, and in which I have a bit of a foot. But my ideas of how to make the connection remain a bit fuzzy. Your comments are helping me clarify things, and I sincerely thank you for them.
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