Whereas Kastner's first book, A Species of Eternity, was a broad survey of the development of the study of natural history in North America, A World of Watchers, his second, is a focused look at the history of bird watching.* Chronologically, Watchers picks up more or less where Eternity left off, i.e., in the latter half of the 19th century. Which makes sense. The men whose work was chronicled in the first book laid the broad foundation of knowledge in all the various areas that can be said to comprise the study of natural history. In this book, Kastner writes of the men--and now also some women--who built on this foundation and began to delve deeply into one particular branch of the field, i.e., the study of birds and bird life.
In today's world, bird watching, or birding, is among the most popular forms of outdoor activity. According to one study from 2011, there currently are an estimated 47 million bird watchers over the age of sixteen in the U.S. Birding clubs are numerous; anyone who develops an interest in birds and wants to flock together with similar-minded folks can find a local club without much difficulty.**
Things were not always so, of course. Early avian enthusiasts were, by and large, few and far between, folks who pursued their passion in relative isolation. Kastner tells us (p. 4 and Chapter 3) that the first organized bird club was not established until 1873, when the Nuttall Ornithological Club was founded in Cambridge, Mass. The formal organization was an outgrowth of the activities of two young ornithologists from that city, William Brewster and Henry Henshaw. Other clubs in other areas soon followed, and there was a concomitant growth in the number of bird watchers.
Kastner goes on to provide accounts both of professional ornithologists and amateur enthusiasts who made contributions to the growth of our knowledge about birds. Among the pros to whom Kastner devotes a chapter is one of my personal favorites, Edward Howe Forbush (1858-1929). Forbush was the state ornithologist in his native Massachusetts from 1891 until his death. His magnum opus was the three-volume Birds of Massachusetts, which was published by the Mass. Dept. of Agriculture from 1925-1929.
I mentioned this work in an earlier post, and will write more about Forbush in the future. For now I will just note that Kastner's chapter on Forbush, "A Friend of Bird and Birder," is a marvelous, affectionate portrait of a man who I wish I had known, and had had the opportunity to learn from. Kastner writes: "Going through his volumes is like going along on a long bird walk, getting to know birds through the eyes and ears and feelings of scores of birders--all their perceptions filtered through the mind of one of the finest and most literate ornithologists the country has ever known."
Amen to that. Many's the time I've observed a bird in the field, and noted some particular aspect of its behavior or appearance. Then, upon returning to the house and consulting Forbush, been delighted to find a perfect description of what it was that I had just seen, a description written in prose so lovely that it bordered on the poetic. It was as if he had been looking over my shoulder as I watched and made my own observations.
Apart from his own stellar work, Forbush's Massachusetts volumes are notable for the magnificent paintings by Louis Agassiz Fuertes that illustrate them. Fuertes (1874-1927) was a brilliant artist, the most important bird painter after Audubon, and arguably the best ever. Kastner employs small field sketches by Fuertes as epigraphs at the beginning of each chapter, and includes a special section of color plates with a few samples of Fuertes' paintings. Fuertes' oeuvre was immense; his paintings graced the pages of many other bird books in addition to Forbush's. His story is as much a part of Kastner's narrative as is that of any ornithologist. I intend to devote a future post or two to him. For now I will just include a sample of his work, the small falcons--Kestrel and Merlin--from the Birds of New York, by Elon Howard Eaton.
Kastner writes also of the growth of the conservation movement; of the change from specimen collection to sight records; of numerous eminent pioneer ornithologists such as Elliot Coues, Witmer Stone, Frank Chapman, and Lowell Griscom; of the influential female writers such as Mabel Osgood Wright, Olive Miller, and Neltje Blanchan; and numerous other topics. His own prose is a delight to read. This, coupled with the evident comprehensive research that underlies the writing, makes A World of Watchers a much-valued item on my bookshelves. Like A Species of Eternity, it is also out of print, but copies are easy to come by on the used-book market. Definitely worth looking for.
*Given the importance of various optical devices to birdwatching--note the design of the book's dust jacket--there's probably a bad joke about focusing lurking in there somewhere, but I'll be damned if I can find it.
**Talk about bad jokes...
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